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British designer Daniel Lee presented his second collection for Burberry at a star-studded show in London on Monday, unveiling summer versions of the famous trench coat and...

Less than 10 days before Balmain’s spring/summer 2024 collection is scheduled to hit the runway for Paris Fashion Week, over 50 of the brand’s debut pieces were allegedly “hijacked” and stolen. On Saturday, 16 September, Olivier Rousteing, the Parisian fashion house’s 12-year creative director, took to Instagram to announce the garment crime. The 37-year-old explained how he’d arrived at the office by nine in the morning, anticipating the arrival of the last few designs for their upcoming show. However, he received a call from the driver meant to transport the pieces from an airport in Paris to the Balmain headquarters. The individual confessed that his vehicle had been overtaken, resulting in the theft of more than 50 looks. “Our delivery was hijacked. The camion got stolen. Thank god, the driver is safe,” Rousteing wrote. “So many people worked so hard to make this collection happen. We are redoing everything but this is so so disrespectful.” “This is so unfair. We will work more, days and nights. Our suppliers will work days and nights as well, but this is so disrespectful,” he continued. “I wanted to share this with you to remind you, don’t take anything for guaranteed and please be safe. This is the world we are living in.” The details surrounding the incident, such as the airport location and hijacking time, were not released. Executives flocked to social media, discussing the unheard-of tragedy with their followers. Bernard Garby, luxury client manager at Harper’s Bazaar, Elle, and Esquire, discussed the news on TikTok and described it as “a real fashion drama”. “What happened is something I’ve never heard ever before,” the fashion expert, known to deliver industry recaps every morning, said. Bernard carefully described the unfortunate impact this incident leaves on the brand with a collection debut scheduled for 27 September. “It’s basically a pure robbery,” the famed user proclaimed. “I have never ever heard of anything like that before... They have less than 10 days... How stressful!” Additionally, Bernard made a point to connect this alleged robbery with that of Kim Kardashian on 3 October 2016, when the reality TV star was tied to her hotel bathtub while five men stole her jewellery from the room. Speaking to David Letterman in 2020, Kardashian recounted the traumatising experience. “He grabbed me and I was wearing a robe and I wasn’t wearing anything under it,” she recalled. “He grabbed me and pulled me towards him but I wasn’t wearing anything underneath. So I was like, ‘OKay, this is the time I’m going to get raped. Just deal, it’s gonna happen.’” @bernardgarby Today's Fashion News: Daniel Lee's Spring / Summer 2024 collection for Burberry and fashion drama at Balmain! #fashionnews #TikTokFashion #fashion #fashiontiktok #fashiontok #burberry #balmain #bernardgarby ♬ original sound - BERNARD “Just prepare yourself.’ So I did... But then he tied me up with handcuffs and zip ties and duct tape,” she noted. Bernard ridiculed Paris in his video, telling the city to “fix your situation down there”. He added: “It’s just not a good image. I am meant to be going to Paris for the Paris Fashion Week as well and I can tell you because of this news around Paris, Paris is really ruining its reputation. And it’s not looking good. I don’t feel safe going to Paris anymore. So you need to fix it.” The Independent has contacted Balmain and Bernard for a comment. Read More London Fashion Week 2023: All the highlights from day two London Fashion Week: Jourdan Dunn walks in emotional Richard Quinn show British Vogue appoints Chioma Nnadi as Edward Enninful’s successor British Vogue appoints Chioma Nnadi as Edward Enninful’s successor Naomi Campbell recalls racism she faced early on in modelling career V&A’s Coco Chanel exhibit doesn’t shy away from designer’s Nazi ties – review

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Chioma Nnadi has been appointed the head of editorial content at British Vogue, succeeding outgoing editor-in-chief Edward Enninful. Enninful, 51, resigned from one of fashion’s most coveted jobs in June, triggering months of speculation over who would replace him. London-born journalist Nnadi becomes the first Black woman to be appointed editor-in-chief of the magazine, as Anna Wintour praised her as “an editor and writer with an impeccable reputation”. Announcing Nnadi’s appointment on Monday 18 September, Wintour said: “Chioma is beloved among her colleagues at Vogue, and is an editor and writer with an impeccable reputation – both here and in the fashion industry at large. “I’m so grateful to Edward Enninful for everything he’s accomplished at British Vogue, and we’re all looking forward to a productive and creative relationship with him in his new role. “I can’t think of a more worthy person to follow in his footsteps than Chioma, who has proven herself adept at speaking to our digital audience and has found ways to extend Vogue’s reach, authority, and influence across all of our platforms. “She is passionate about fashion, music and culture, and I couldn’t be happier that she will be leading our editorial and creative teams in London.” Nnadi said: “I’m beyond excited and honoured to have been appointed as British Vogue’s Head of Editorial Content. As someone who was born and raised in London, the energy of the city – its boundary-pushing style and creative scene – has shaped the way I look at the world. “Now, more than ever, it feels like a moment to look beyond borders while also celebrating the broad scope of what it means to be British. I’m looking forward to engaging a loyal and inspired digital community that is energised by our access, point of view, and storytelling.” Enninful, whose reign as head of editorial content comes to an end after six years, praised Nnadi as a “brilliant and unique talent with real vision” in a statement. “I am so thrilled that Chioma is joining British Vogue - she is a brilliant and unique talent with real vision, who will take the publication to ever greater heights, he said. More to follow... Read More V&A’s Coco Chanel exhibit doesn’t shy away from designer’s Nazi ties – review How the fashion industry fell out of love with heels How to do ‘The Meghan’ in seven easy pieces

Watch the highlights from day two of London Fashion Week 2023 on Saturday (16 September), as Jourdan Dunn appeared on the runway during an emotional evening for Richard Quinn. The show, which was dedicated to the designer’s late father, brought Quinn to tears as he embraced his mother at the end. Elsewhere in the city, the Roksanda SS24 collection was shown on an outdoor catwalk at the Barbican Centre. Designer Roksanda Ilincic said she was inspired by 15th-century fresco paintings from the monasteries of her native Serbia.

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Erin O’Connor wowed on the front row at the Roksanda spring/summer catwalk show. The British model, 45, wore an acid yellow and white high-necked maxi dress, topped with a floor-length pink cape and black cat-eye sunglasses. Veteran actor Vanessa Redgrave joined O’Connor at the show, which was held at London’s famous Barbican Centre. The 86-year-old Oscar winner, wearing a mint green gathered blouse and white trousers, was greeted by fashion editor Anna Wintour on arrival. Fashion designer Roksanda Ilincic said she was inspired by 15th-century fresco paintings from the monasteries of her native Serbia, for her SS24 collection. In a departure from her usual rainbow of rich colours, the designer focused on lighter hues such as ivory, pastel pink and lime, as well as some bold royal blue looks and all-black ensembles. There was no shortage of the glamour for which Roksanda is known, with a slew of stunning evening dresses on show. Many were made from silky fabrics with gathered or cape detailing, while others were trimmed with feathers or long tassels that swayed as the models walked the runway. Alongside the slinky column gowns, full-skirted dresses were crafted from structured textiles including latex, and high-heeled satin court shoes came with feathery trims. Tailored ensembles included oversized two-piece suits in black and ivory, sleeveless blazers and deconstructed trench coats. The collection was also influenced by the brutalist design of the Barbican, with round sculptural headpieces – taken from Serbian culture – echoing the circular outdoor show space. Adding to the air of sophistication, the show was soundtracked by an a cappella performance from an opera singer. The beauty look played on the popular ‘quiet luxury’ trend. “It’s not a ‘no make-up make-up’,” Sharryn Hinchliffe, executive director of global artistry at MAC, said backstage. “There’s something very decadent about it. We’re doing a beautiful satin finish skin with a glassy eye and a glossy lip.” She added: “Roksanda is so elegant and very luxe, so we wanted to not take away from any of the clothes, but just to almost have the skin like an adornment.” The show concluded with a stunning final look; a powder pink structured gown with a voluminous train. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Action needed to protect women from birth trauma – MP Imagination and hard work in children trumps obedience – research finds 7 ways you could be damaging your eye health without even realising