A Wyoming judge on Thursday temporarily blocked a law banning medication abortion in the Western state, delaying what

The archetypal white gown that Carrie Fisher wore while playing Princess Leia in 1977's "Star Wars Episode IV: A New Hope" could be yours to own, if you have a couple million dollars to spare.

The season two premiere of And Just Like That brought back a familiar face for many loyal Sex and the City fans, and no, it wasn’t the upcoming cameo from actor Kim Cattrall as Samantha Jones. The second season of And Just Like That, which debuted on Max on Thursday 22 June, saw the return of Carrie Bradshaw’s beloved Vivienne Westwood wedding gown, which she wore to her failed wedding to Mr Big (Chris Noth) in the 2008 Sex and the City movie. When Sarah Jessica Parker was photographed wearing the fan-favourite bridal gown in the streets of New York City last November, many fans wondered the reason for its reprise. Now, the season two premiere has revealed that Carrie dons the flowing gown to none other than the Met Gala. Warning: Spoilers ahead In the season two premiere, Carrie works with an up-and-coming designer named Smoke (Bethlehem Million) to create a custom design for the annual fashion event, themed “Veiled Beauty”. But when things go awry, the columnist resorts to her fashion archive and pulls the wedding dress out of her closet. “I may have something,” Carrie tells Smoke during the episode. “I’ve only worn it once. It’s not the best memory.” She even decides to wear the same bird-like headpiece that she wore to her wedding, but this time pairing it with teal gloves, teal heels, and a matching teal cape that Smoke had made. Although wearing the same wedding gown twice may seem like bad luck to some, Parker revealed how the new season of And Just Like That was able to give the dress “new life”. In an interview with People, Parker detailed how she and And Just Like That showrunner Michael Patrick King wanted to change the narrative surrounding the iconic dress by breaking it out for season two. “How would it become something else?” the actor told People. “How would we layer it and give it a new life and have it feel modern and change the poetry that surrounded that dress from a lot of really painful but important memories that I don’t think Carrie really wanted to let go of, especially given this loss?” King – who directed the original Sex and the City movie – noted how they wanted first-time viewers to relate to the moment as well, despite not knowing the original importance of the wedding dress. “It must mean something for someone who has never seen the scene where Carrie is left at the altar,” King told People. “So, you just have to create a story, like in that case, the Met Ball, which is named Veiled Beauty, which gets me to wedding veil, which gets to wedding gown, and then Carrie tells Smoke: ‘It wasn’t the best memory.’” “All you need to know is it was a bad moment that she’s putting it on, and then everybody gets to enjoy the gown.” And just like that, fans of the series took to Twitter on Thursday to applaud Carrie for repurposing the iconic wedding dress for the Met Gala. “CARRIE WEARING HER WEDDING DRESS AHH LOVE THE CHANGING THE NARRATIVE TO THAT DRESS,” one viewer tweeted. “I know it was supposed to be a sad moment but when Carrie threw on her wedding dress and veil and rocked it with them shoes and cape I was like yass!!!!” another person said. “Take that pain and sashay that gala”. A third fan wrote: “Carrie Bradshaw repurposed the Vivienne Westwood wedding dress and wore it to the MET Ball!! What a way to honour her,” which appears to refer to the designer’s death in December 2022. Although the return of the wedding dress was a nice surprise for fans of the original series, Parker and King detailed the lengths they had to go to retrieve the Vivienne Westwood gown. “We weren’t entirely certain that we could get the dress back,” Parker told People. “It was in London and unearthing it was complicated – getting it through customs in time and then making sure was this, in fact, the original dress? The colour looked different.” Not to mention Parker worried about fitting into the dress more than a decade later, adding that it “was terrifying to put it on”. “It was really incredible and fun and thank goodness it fit!” Parker said. “It was very special to have it back in our possession for a brief period and to figure out how it helped tell this story now.” The first two episodes of And Just Like That season two are available to stream on Max. Read The Indpendent’s two-star review here. Read More And Just Like That season two review: A toothless imitation of Sex and the City Sarah Jessica Parker’s son James explains why it feels ‘weird’ watching And Just Like That Sex and the City stars recall ‘near-death experience’ that occurred while filming season three Glastonbury 2023: All the best fashion at the biggest UK festival of the year Warehouse advert featured ‘unhealthily thin’ model, ASA rules Glastonbury festival fashion might not even exist anymore

Three top reproductive rights groups are endorsing President Joe Biden and Vice President Kamala Harris for reelection in 2024

Glastonbury has officially kicked off, with thousands of people rushing through the gates of Worthy Farm to attend the biggest festival in the world. The annual celebration of live music and performing arts will see headliners such as Arctic Monkeys, Elton John, and Guns ‘N’ Roses take to the main stage, as well as hundreds of other artists. Get live updates on Glastonbury 2023 here. It is also an event known for attracting some of the most edgy and chic sartorial looks that informed festival fashion all around the world. Famously, celebrities including Kate Moss, Alexa Chung and Sienna Miller have sparked trends while attending the major event. Although festival fashion has changed drastically over the years, this year’s Glastonbury can still expect to see some head-turning outfits, as revellers trot out their hardiest gear amid the sun and rain forecasts for the next few days. Here are our favourite looks at the festival so far: Ready, set, match Matching group outfits is a great way to make a statement as well as keep an eye on members of your squad at all times. Lost Jessica? Just look for the girl vibing in the Healing Fields in the same outfit as you. Flower power Are flower crowns a little 2010? Perhaps, but they’re classic festival-wear for a reason. This version is bright and vibrant, and most importantly, BIG. We love a good flower crown. Flying high Inflatable wings are certainly an unusual choice, but look perfectly in the right place at Glastonbury. We just hope he looks where he’s going, or someone’s going to get a face full of wing. Feeling green We can’t tell if this guy is trying to blend in with the foliage behind him, but he’s doing a pretty good job of it. 10/10 camouflage skills. Dress for the weather you want This huge wide-brimmed feather hat screams “sunshine” and will be sure to keep the excellent weather in Somerset going – even when the sun slips behind a cloud. Smile, boys Don’t feel like smiling? Let your head do it for you. Suited and booted These lads look like they know how to have a good time. Is the one in pink their leader? Read More Glastonbury festival fashion isn’t just about ripping off Kate Moss… it might not even exist anymore Glastonbury 2023 – live: Festival kicks off at Worthy Farm with spectacular fireworks display Free milk, £1 camping and political protests: Glastonbury through the years, in pictures How to navigate summer festivals with your teenager Glastonbury festival fashion might not even exist anymore 6 hacks for handling the heatwave at a festival

An advert by fast fashion retailer Warehouse has been banned after the Advertising Standards Authority (ASA) ruled that its model was “unhealthily thin”. The watchdog concluded that the advert, which showed the model wearing a bodysuit and an oversized leather jacket, was “irresponsible”. It received a complaint about the image which appeared in a product listing on Warehouse’s website in February. In it, the model was wearing the jacket draped off her left shoulder, with a high-cut bodysuit underneath that exposed her legs. Warehouse told the ASA that it believed the image did not present the model as appearing “unhealthily thin”. The company said the model was a UK size eight and had a BMI which fell withi the NHS standard of a “healthy weight”. The retailer argued that it was “wrong to suggest that the image presented her in an irresponsible manner”. According to the ASA, Warehouse further argued that “due to prevailing standards in society around the perception of body types, it would be insensitive to label the model as promoting an ‘unhealthy’ and ‘thin’ body type.” It said it promoted body inclusivity and worked closely with model agencies to hire a range of models who “represent women of all body types across the UK”. But the ASA said in its ruling that the model’s visible shoulder and upper arm “appeared small and narrow”, and her “collar bone and torso… appeared very thin”. The watchdog added that the way the model was posed gave her knee and thigh “the appearance of being very narrow” and also made her hip bone “appear particularly pronounced. “We considered that the pose and styling of her legs emphasised her slimness in a manner which made her appear unhealthily thin,” it said, concluding that the ad was “irresponsible” and “must not appear again in its current form”. The Independent has contacted Warehouse for comment. The issue of body image in the modelling industry has shifted over the years, but appearing thin is still a priority for many fashion brands and modelling agencies. Most recently, former model Esmeralda Seay-Reynolds told Variety that when she was 16, she received some unsafe advice from her agent about how to stay slim. She claimed that her agent at the time, from NEXT Management, told her: “Cotton balls are organic, so it’s fine if you just swallow them to make yourself feel full.” Joel Wilkenfeld, co-founder of the agency, told the publication: “If a model would have brought that to our attention, that agent would have been fired right there on the spot.” Read More Glastonbury festival fashion isn’t just about ripping off Kate Moss… it might not even exist anymore ‘What in the wingardium leviosa?’: Emma Watson stuns fans with ‘levitating’ dress John Goodman reveals he’s lost 200 pounds as he makes red carpet appearance Glastonbury festival fashion might not even exist anymore 5 sandal trends that will be huge this summer Royal Ascot attendees bring colour and vibrancy to big race day

Hak Baker's been releasing songs since 2017 but only now feels he can put music out about Windrush.

Parents of children allegedly given sedatives by staff at a preschool in Taiwan have been protesting the government's slow response to the incident.

It’s all about retro vibes in the footwear department this season, with Nineties and Noughties trends getting a new lease of life. And whether you want comfy slides for walking, high heels for partying or something in between, there’s a sandal for every occasion. From chunky to dainty, here are five sandal styles to accessorise your summer outfits… 1. Cork soles Part of the catwalk trend for all things au naturel, cork platforms are back and they go perfectly with this season’s crochet and mesh beach dresses. Team super-high cork sandals or wedges with faded mom jeans, or Seventies-style flares and a breezy white top for a cool city look. Dune London Jealous Gold Cork-Platform Sandals, £100 Hush Puppies Blush Poppy Slide Sandals, £95 2. Studded sandals Give cute and colourful outfits a high fashion edge with designer-inspired studded sandals. Keep it classic with brown or black leather – these trendy flats will become your go-to all summer long. La Redoute Leather Wedge Heel Sandals with Studded Details, £88 Studio Studded Tan Sandals, £9 (were £30) 3. Espadrilles Espadrilles never really go out of style – and this season they’ve got the designer seal of approval, with Stella McCartney, Gucci and Loewe all creating luxe versions for spring/summer 2023. Opt for low-heeled espadrilles to team with casual shorts and skirts, or chunky wedges for a ‘quiet luxury’ look. Gaimo Flat Ankle Tie Sandals Natural, £60, Office (clothing, stylist’s own) New Look Gold Faux Snake Metallic Espadrille Wedge Sandals, £37.99 Bobbies Cleo Espadrille Wedges in Lemon Curd, £180 4. Gladiator sandals Part of the 2000s revival, multi-strap gladiator sandals are back in a big way this season, but with a more minimalist feel than in previous years. Choose from chunky black leather flatforms for everyday wear, or holiday-ready raffia gladiators. Manebi Black & Natural Raffia Gladiator Sandals, £135, Oliver Bonas Deichmann Catwalk Ladies Black Gladiator Zip Sandals, £34.99 5. Green sandals From handbags to heels, green accessories are all the rage right now. Create a cool colour clash by pairing emerald heels with a pink dress, or go for a Nineties palette with lime green and tangerine orange. Tu at Sainsbury’s Lime Twisted Strap Flat Sandals, £17 Monsoon Barely There Leather Heel Sandals Green, currently £34.50 (previously £69) Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live 6 triggers asthma sufferers should watch out for this summer Imposter syndrome – what is it and why does Kim Kardashian have it? The best TV shows, books and podcasts about Windrush

Crop tops. Denim cut-offs. Someone else’s wellies. In 2023, festival fashion has officially become a tired sport. Even the words themselves carry connotations that seem to have fallen far out of sync with the sartorial zeitgeist. Is anyone still slathering themselves in glitter? Do we still care about sequins and novelty sunglasses? And surely we’ve all long-tired of neon by now? With Glastonbury Festival underway this weekend, all of this begs one crucial, singular question: Does festival fashion still exist? The fashion industry’s growing environmental conscience might provide an answer. Today, it’s much cooler to source your wardrobe from the likes of Depop and your local charity shop than Asos or Big Topshop (RIP). We fell out of love with fast fashion some time ago and, as a result, generally far more considerate consumers when it comes to our clothing. This is, of course, a very good thing. But it’s also completely at odds with the concept of festival fashion. Few modes of dressing revolve around disposability quite like it. Think about it. A typical festival lasts one weekend, during which time you will inevitably be camping in a wide range of weather scenarios, sweating and dancing for hours on end without access to showers. You’ll also be surrounded by scores of people who may or may not raid your tent for all of your belongings. In short, you don’t exactly want to bring items you care about. Hence why fast fashion and festivals made so much sense; flimsy, cheap, tacky garments comprised the optimum capsule wardrobe. At least they did, anyway – until everyone wised up to the environmental consequences. Nonetheless, if you’re going to a festival this summer, it’s a universally accepted truth that you will probably have to wear some clothes. Where, then, does that leave you? And what of festival fashion trends? Is there space to tap into the latest cool, new thing when you’re trying to shop sustainably and save money? Can we still have a hot girl (festival) summer? “The cost of living crisis is having a huge impact on young peoples’ purchasing patterns, particularly when it comes to ad hoc events, so second-hand buys are proving a big hit for festival season,” says Emily Gordon-Smith, content director and sustainability lead at the trend and insights forecaster Stylus. “This means tapping into more personalised looks, not straight off the high street, and often with a nod to iconic festival-ready styling that definitely includes Kate Moss in her Glasto heyday.” As any seasoned festival-goer will know, few outfits have stood the test of time quite like Moss’s from the early Noughties. One quick Google search will bring up hundreds of infamous shots of the model stomping through the muddy fields in micro-shorts, leather trousers, waistcoats, belted mini dresses, and other understated, utilitarian looks that couldn’t be further from the festival fashion aesthetic du jour. Other style mavens for the era? Alexa Chung in a silver mini dress with a jumper tied loosely around her waist. Sienna Miller in yellow sunglasses and a studded belt. And so on. They weren’t so much dressing for festivals as they were just dressing for a day of drinking beer and watching live music. Yes, they looked amazing, but it wasn’t because they were soaking themselves in lame co-ords. It was because they weren’t trying very hard, and it’s this modus operandi that has established itself at the centre of festival fashion now. Kate’s festival looks are still being recreated on the runways, with key items like the waistcoats and flat knee boots appearing in many collections Emily Gordon-Smith It’s also at the root of the Y2K trends reigning supreme on catwalks across the globe for the last year. “The Nineties and Noughties continue to be eras of stylistic fascination for those not even old enough to remember them, so of course style icons like Kate Moss are a major reference point,” adds Gordon-Smith. “Her festival looks are still being recreated on the runways, with key items like the waistcoats and flat knee boots appearing in many collections including those from Celine and Stella McCartney.” As for how to incorporate all this into your own festival wardrobe, it’s obviously not as easy as popping into a high-end luxury store and snapping up a £700 waistcoat. But if you want to follow in Moss and Co’s footsteps, the way to do it is to actually do the exact opposite and try and find something unique. It might sound counterintuitive but, ultimately, that’s what made their outfits so memorable in the first place; you couldn’t easily replicate them. That’s not to say you can’t look for key items, like tinted sunglasses and mini dresses, but you can find standout ones by taking your search onto secondhand shopping platforms, where you’ll find limitless options and one-off pieces. On Depop, some of the most searched-for items reflect a wide range of trends for festival season, spanning from “silver” (21 per cent increase in searches) and “lace cami” (37 per cent) to “mirror” (65 per cent) and “parachute pants” (1,200 per cent). If you do find yourself wanting to follow the crowd, though, the leading trend of the season is “Western”. According to money-saving platform WeThrift, searches for the “cowboy aesthetic” have increased by 40 per cent on Pinterest in the last 90 days. Meanwhile, over on TikTok, the #cowboyaesthetic hashtag has surpassed more than 4.3 million views. The hashtag #cowboyboots has more than 920.9 million views. Similar data has been found by retailers, with Pretty Little Thing reporting a 57 per cent increase in searches for cowboy boots in the last month, while “Western” searches have surged by 49 per cent. So long as you wear it right, it’s a look that reflects the boho chic image of the early Noughties Glastonbury set. Our suggestion is to pair some brightly coloured boots (we love these ones) with a secondhand slip dress and a pair of yellow-tinted shades. Throw on an oversized cargo jacket and you’re all set. Alternatively, if the sun is shining you might find yourself wanting to opt for a pair of statement trainers (these ones are very Nineties), which would work well with some classic Adidas tracksuit bottoms, a lace cami and some tiny sunglasses, amounting to a very Bella Hadid look. If you must do the crop top and denim cut-offs combo, there are ways to reinvent it a little. Try a knitted option from sustainable Australian brand MNK, for example, and there are plenty of secondhand denim shorts available across the web. All of it is easy to do – and far more comfortable than the festival outfits of yore – if you know what you’re doing. Just remember, though, that if you’re channelling Moss, less is always more. Don’t be afraid to take risks. And stay very far away from the glitter. Read More Glastonbury 2023 – live: Immigration enforcement officers spotted near festival site at Castle Cary station Flip-flops, nudity and ‘up the vajayjay!’: How the red carpet became a platform for protest Subversive? Dangerous? Boring?: How the red carpet became a barometer for modern masculinity

By Will Dunham WASHINGTON Evidence is growing about the many ways that traveling in the microgravity environment of

Kristin Hawkins has relentlessly pursued one goal - to make abortion unthinkable and unavailable.