Jourdan Dunn appeared on the runway during an emotional evening for London Fashion Week favourite Richard Quinn. The British supermodel wore a strapless tulle dress with yellow and blue floral embroidery, and a black bow at the waist, part of Quinn’s spring/summer collection. The designer was in tears when came out to embrace his mother at the end of the show, which was dedicated to his late father. “In times of great sadness and loss comes a sense of reflection and calm,” read the show notes, which were accompanied by a photo of Patrick Quinn, who died in June. A handwritten caption printed on the other side said. ‘This one’s for you Dad’. A performance by five ballet dancers that opened the show – held in a ballroom at the historic Andaz hotel in East London – was billed as a celebration of “a wonderful father, grandfather, brother and husband”. Quinn – who famously won the inaugural Queen Elizabeth II Award for British Design, presented by her late Majesty, in 2018 – has become known for his floral prints and almost couture-level of craftsmanship. The SS24 collection focused heavily on the latter, with a slew of stunning eveningwear ensembles. The first look was a ballerina-esque white full-skirted dress with sparkling embroidery, which was followed by a series of black and white outfits. Standout pieces included mesh dresses with embroidered boned skirts that looked like birdcages, and a lipstick red ruffled cape gown (one of the few brightly-coloured looks). Some column dresses were so heavily encrusted with sequins and beads, you could hear them rustle as models glided by, while other voluminous gowns appeared light as air. The contemplative mood was continued with the design of models’ make-up. “Slightly somber, slightly fragile, like a really beautiful Victorian portrait,” is how MAC make-up artist Terry Barber described the look. “It’s a shadowy grey eye, and I’m using a little metallic gold powder to do this very fine thread of liner. It almost looks like they’ve just cried and their eyes are a little bit wet.” Model ‘twins’ on the catwalk has become a signature of Quinn’s. This season, the chosen pair wore blue and white floral satin dresses embellished with white feathers and worn over matching tights, each carrying a large blue and white bouquet, They were followed by Canadian model Jessica Stam closing the show in a flowing white cape with puff sleeves worn over a silver beaded jumpsuit. After Quinn’s mother rose to greet her son, the audience joined her in giving the designer a standing ovation. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Erin O’Connor and Vanessa Redgrave sit front row at Roksanda London Fashion Week show Action needed to protect women from birth trauma – MP Imagination and hard work in children trumps obedience – research finds

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Erin O’Connor wowed on the front row at the Roksanda spring/summer catwalk show. The British model, 45, wore an acid yellow and white high-necked maxi dress, topped with a floor-length pink cape and black cat-eye sunglasses. Veteran actor Vanessa Redgrave joined O’Connor at the show, which was held at London’s famous Barbican Centre. The 86-year-old Oscar winner, wearing a mint green gathered blouse and white trousers, was greeted by fashion editor Anna Wintour on arrival. Fashion designer Roksanda Ilincic said she was inspired by 15th-century fresco paintings from the monasteries of her native Serbia, for her SS24 collection. In a departure from her usual rainbow of rich colours, the designer focused on lighter hues such as ivory, pastel pink and lime, as well as some bold royal blue looks and all-black ensembles. There was no shortage of the glamour for which Roksanda is known, with a slew of stunning evening dresses on show. Many were made from silky fabrics with gathered or cape detailing, while others were trimmed with feathers or long tassels that swayed as the models walked the runway. Alongside the slinky column gowns, full-skirted dresses were crafted from structured textiles including latex, and high-heeled satin court shoes came with feathery trims. Tailored ensembles included oversized two-piece suits in black and ivory, sleeveless blazers and deconstructed trench coats. The collection was also influenced by the brutalist design of the Barbican, with round sculptural headpieces – taken from Serbian culture – echoing the circular outdoor show space. Adding to the air of sophistication, the show was soundtracked by an a cappella performance from an opera singer. The beauty look played on the popular ‘quiet luxury’ trend. “It’s not a ‘no make-up make-up’,” Sharryn Hinchliffe, executive director of global artistry at MAC, said backstage. “There’s something very decadent about it. We’re doing a beautiful satin finish skin with a glassy eye and a glossy lip.” She added: “Roksanda is so elegant and very luxe, so we wanted to not take away from any of the clothes, but just to almost have the skin like an adornment.” The show concluded with a stunning final look; a powder pink structured gown with a voluminous train. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Action needed to protect women from birth trauma – MP Imagination and hard work in children trumps obedience – research finds 7 ways you could be damaging your eye health without even realising

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A mother has said she still breastfeeds her four-year-old son and has no plans to stop any time soon. Allison Yarrow, the journalist and author behind Birth Control: The Insidious Power of Men Over Motherhood, reportedly told People that she hasn’t stopped breastfeeding because she believes it makes her son dependent on her and vice versa. “We haven’t stopped breastfeeding because breastfeeding works for us,” Yarrow explained to the outlet. “It’s something we do once or twice a day. Sometimes it happens more than that if he’s hurt or sick, but it is a way that we connect and communicate with each other.” Within the first hour of birth, babies should initiate breastfeeding and be exclusively breastfed for the first six months of their lives, according to the World Health Organization (WHO). Health officials advise that babies should only be breastfed on demand from six months to “up to two years of age or beyond.” In June 2022, The American Academy of Pediatrics agreed with their recommendation, adding that they supported continued breastfeeding only as long as it was “mutually desired for two years or beyond.” Yarrow advocates for continued breastfeeding, citing multiple benefits: “The research shows that breastfeeding can reduce breast and ovarian cancers. The hormone oxytocin is released when you breastfeed, so it actually feels good.” While breastfeeding is also associated with small neurodevelopmental outcomes in children, according to the Mayo Clinic, is also “associated with a reduction in acute infections as well as chronic adult conditions like obesity, cancer, heart disease and allergies.” “It’s a way of connecting,” Yarrow continued. “And I don’t think I would still be doing it if I didn’t enjoy it. I wouldn’t be just sacrificing myself at this stage. My four-year-old has other food, right? He’s not coming to me for food.” “We still breastfeed because it’s a way to connect with each other. We feel good. It’s intimacy. It’s looking into each other’s eyes. It’s cuddling. It’s having a physical connection. And that strengthens our connection in general,” Yarrow added. Yarrow’s decision to continue breastfeeding well past the age of two is considered taboo to most Americans, but she explained to the outlet that she believes this mentality is more indicative of misogyny in American culture. “Our culture really doesn’t support women doing things with their bodies that they want to be doing, so that certainly extends into breastfeeding,” Yarrow noted. “There’s really poor research about extended breastfeeding. There isn’t a lot of it.” She continued: “And women and people who give birth are really hampered in their quest to breastfeed after their babies are born. We know that the majority of people who give birth want to breastfeed, but most don’t even meet their own breastfeeding goals because accessing lactation support is incredibly difficult.” Yarrow elaborated that poor healthcare and support forces a lot of women to head back into the workplace earlier than they might like. “Often it’s not covered by insurance or Medicaid, and people have to pay out-of-pocket and find somebody to support them in this way when they’re already very vulnerable recovering from childbirth and caring for a newborn,” she said. Read More Mother reacts to video of her breastfeeding taken without her knowledge Woman says she was told not to breastfeed on flight because it would make passengers ‘uncomfortable’ Rumer Willis shuts down criticism over breastfeeding photo with her child: ‘I am the happiest I have been’ Sia says she suffered ‘severe’ three-year depression after Erik Anders Lang divorce David Foster and Katharine McPhee express grief after death of their child’s nanny Mother defended after calling father ‘creepy’ over name choice for newborn daughter